Exploring New York City: Stunning architecture with IAC Building by Frank Ghery
- Exploring New-York City: Dusk on Rockefeller Center
- Exploring New York City: A walk on The Highline Park with the Nikon D800, Chelsea, NYC
- Exploring New York City: Blue Hour on NYC Skyline from Gantry Plaza State Park, Long Island, Queens
- Exploring New York City: Stunning architecture with IAC Building by Frank Ghery
it’s always a pleasure when you can combine things that you love to photograph. As you probably know by now, I love New York City and I love contemporary architecture. And my favorite architects being Frank Ghery and Jean Nouvel, it was a pleasure to take a stroll in Chelsea and photograph one of the most beautiful buildings in the Big Apple, the InterActiveCorp‘s headquarters (aka IAC building) located at 550 West 18th Street on the corner of Eleventh Avenue in the Chelsea neighborhood of Manhattan.
Before going further, I think that if you ever go on a stroll in the neighborhood, be sure not to miss spending some time on the Highline, you will be delighted by this aerial park located in the heart of Chelsea which is just a few blocks away from the Highline, like you can see for yourself here:
For this short series, I was equipped of:
- Nikon D800
- Nikkor 16-35mm F/4 G ED VR
- Nikkor 24-70mm F/2.8 G ED
- Nikkor 135mm F/2 DC
- Gitzo Leveling 6X tripod GT2540LVL
- Manfrotto 410 Junior Geared Head
What I love about architecture photography is capturing details or abstracts from the buildings I photograph. And even though it’s not my main lens for architecture, the Nikkor 135mm F/2 DC can be very useful to capture them like you can see in that example below.
However, most of the time, I like to use the Nikkor 16-35mm F/4 G ED VR or the Nikkor 24-70mm F/2.8 G ED to capture most of architecture. What is striking in the picture below is how well the Jean Nouvel’s 100 Eleventh avenue blends in with the IAC building. Both have unique features and a style that is very unique.
When shooting architecture, it’s always a good idea to include some movement into the picture by adding some people to give a sense of scale or traffic to make the scene more dynamic.
Or simply wait for traffic to clear out for a clean shot of the building without anyone around.
Sometimes, it’s worth getting close and stay wide to enjoy a fun perspective and play with the lines.
However, when I’m close and that I am already shooting very wide (16mm), I like to combine two photographs into a vertical panorama (aka vertorama) and then correct the perspective.
The versatility of the Nikkor 16-35mm also allows me to capture details or abstracts from really close.
But my favorite time of the day is when the sun is coming down and dusk sets in.
I love how the sky turns blue and gives wonderful tones to the pictures with the blue tones of the sky reflecting them into the windows like below.
My favorite time of the day to take pictures is the blue hour, when the colour of the sky changes into a deep blue. It usually happens 30 minutes after sunset and only last a few minutes. In the picture below, I love how the yellow tones blend into the blue tones of the sky and the car trails really add movement to the whole picture.
Thanks for viewing!
Oh and if you have a moment to check those nyc photos on Fine Art America, I would be really grateful!
David Giral is a published Montreal/Toronto based editorial and commercial professional photographer specialized in architecture, interiors, portrait and travel photography.
Text, photographs, and other media are © Copyright David Giral (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without permission from David Giral.